Half of those who have seen it are praising it for not only its awesome monster action, but for the human story that makes up the larger part of the movie.
Most everyone else who have seen it are calling Godzilla (2014) over-long, boring, and far too light on monster action. In all fairness, the movie does take nearly an hour to get to said action.
As far as our opinion goes, we feel both ways about Godzilla (2014).
Yes, there is far more human drama in this movie than there is Godzilla & Muto mayhem, and sure, we would have loved to have seen more of the massive beasts on screen, but that doesn't mean that were weren't happy with what we got.
The fact is that most people who are doing the complaining about there being "not enough Godzilla" or too many "people scenes" are totally forgetting that that is par for the course for most Toho Godzilla flicks of old:
- The first hour of the old Toho Godzilla movies: Various flashes of monsters running amok, and people sitting around talking and doing random things.
- The last 30 minutes of the old Toho Godzilla movies: Godzilla shows up and hands everybody their asses.
This 2014 Godzilla effort is exactly in line with the classic Toho flicks of old, and anyone who tells you any different has no clue what they're talking about.
We're not going to spend too much time breaking down the plot of Godzilla, because who cares; we're here to see monsters destroying shit, and honestly, the hows and whys don't matter all that much in the end. That said...
The opening credits prologue give us our first teasing glimpse of Godzilla circa 1954, where we see that the army is trying to kill him, and he's just basically laughing them off.
Guys, you're only pissing him off with the whole H-Bomb thing, so just stop. |
"Pinkman!" |
Just kidding, it's Godzilla who saves the world! |
*Drops the mic and walks offstage* |
The real focus of this movie is Aaron Taylor-Johnson's character, and the trials and tribulations that he endures to not only get back to his family, but to stop a potential nuclear incident. To a lesser extent, the same could be said about Bryan Cranston and Ken Watanabe's characters, as this is really a movie about people dealing with monsters (both literal and metaphorical), not the other way around. In general, everyone in the cast did a fine job with what they had to work with.
Walter White finally learns that Godzilla is actually the one who knocks. |
As for Godzilla himself, every second when he was on screen held us captivated like a gang of 12-year-old boys. From the "Let them fight!" point forward, we were kids again, and we ate up every bit of destruction that big guy gave us. The biggest moment of Godzilla's bad-assery made us pump our fist and roll around in the aisle, crying and screaming with joy. Figuratively, of course. I mean, who behaves like that in a literal sense? Certainly not us.
Yeah, we were in awe too. |
No matter how destructive Godzilla was in this movie, he still destroyed less shit and killed less innocent people than Superman did in Man of Steel. Yeah. Just think about that one for a minute. |
Godzilla had a respectable showing in U.S. Theaters, and if its $40 million opening in China is any indication, it's poised to destroy the Box Office in Asia. That's good news for us, because now we can assume that for the sequels (2 are already planned) we're going to get bigger and better foes for Godzilla to square off against. If rumors are to be believed, they may even include Mothra and Mecha-Godzilla.
Sign us up now, please.
Godzilla is currently playing in theaters everywhere.
B+
We'll take any chance we get to show off the gorgeous Lizzie Olsen and her amazing talents.
Nice review J.S. The film understood the appeal of Godzilla and that's what I liked the most about it.
ReplyDeleteI really dug the mood and atmosphere of GODZILLA, which really wasn't that far removed from Gareth Edwards' 2010 debut film, the excellent MONSTERS. Only on a (fittingly) much bigger scale. The monster action was good, even spectacular at times. Among the actors I most liked Watanabe and Cranston of course. Taylor-Johnson is/was too vanilla for my taste and Olsen's talents seemed wasted in a rather smallish, meaningless part.
ReplyDeleteAgreed on all points, Phil
ReplyDelete