Showing posts with label Genre- Cult/Occult. Show all posts
Showing posts with label Genre- Cult/Occult. Show all posts

May 3, 2017

Review: The Void (2017)

"A fine entry in the Lovecraftian pantheon."

http://www.imdb.com/title/tt4255304/
Aside from Re-Animator and From Beyond, and maybe Dagon if we're feeling generous, there aren't very many great Horror flicks out there that come from the works of H.P. Lovecraft. As bat-shit crazy and fantastic as his stories were, I honestly can't figure out why no one has tried to put more of them to film. The concept of human beings messing around with cosmic things that they don't understand, and then paying a terrible price for their meddling, is a hell of a concept, and one that could be milked endlessly, but no go so far.

Can you imagine a Cthulhu/Old Gods movie if it was done right?

There are always flicks that come along though that are very Lovecraftian in nature. The Mist comes to mind, as does Cabin in the Woods, and now we can add The Void to the mix. Sure, its smaller budget doesn't allow for massive cosmic entities to be coming through portals or anything, but it unleashes otherworldly beasts on a smaller scale in grand fashion.

The movie opens with a guy fleeing from a farmhouse in the dead of night, ahead of the bullets from two guys who really want him dead. He gets away, but his girlfriend gets shot in the back and set on fire. Deputy Carter is out on his midnight patrol when he sees the same guy crawling along the side of the road, and takes him to the nearby hospital for care, even though it's minimally-staffed due to its impending closing. How convenient.

HE'S SEEN SOME SHIT.
Soon enough, the two guys who tried to kill the dude show up and have the staff terrified, threatening to kill whoever they have to to get to their quarry... until they look outside and see a group of people in white robes surrounding the hospital. What do they want? Well, blood sacrifice, we imagine, because what else would a bunch of white robed creepers be doing surrounding a hospital in the middle of the night, if not looking for a blood sacrifice?

THE CLAN OF CTHULHU.
Trapped with nowhere to go, the small group of folks have no idea that the horrors that lie in the basement of the hospital are far more terrifying and deadly than any guys with shotguns or wannabe clansmen could ever hope to be. Of course that means that they'll be making their way down there, and none of it's going to end well for any of them.

YEAH, YOU GO AND CHECK IT OUT. I'LL WAIT UP HERE.
The Void was a blast. We love the idea of a world beyond ours that is filled with unspeakable horrors,and it's great to see a bunch of unsuspecting people be thrust into that world, and watch them reel at what they encounter. The creatures, the creepy cultists, the void itself... this was a cool little world to explore.

At times, this movie screamed of Hellraiser, The Thing, Assault on Precinct 13, and Silent Hill, all wrapped up in a heavily Lovecraftian vibe. It even had a Fulci-esque ending. Honestly, the ending has to be a direct homage to The Beyond.

It did feel like there were too many elements borrowed from classic films at times, but it was such a compelling watch that it didn't ever become a true bother. This is a great throwback flick that was obviously made by some people who love their Genre flicks of the 70's and 80's, even if they didn't quite make it flow in as grand a fashion as said classics did. 

FRANK COTTON: VOID EXPLORER.
This movie has no shortage of bloodletting and great practical FX gags on display, including a scalpel in an eye, people being eaten by creatures, and all kinds of disturbing shit on display. This movie is a visual treat. A wet and messy one.

"DO YOU SEE?!?"
No nudity here.

PRUDES.
We need more flicks with Lovecraftian themes. Like, now.

WHAT IN THE ACTUAL FUCK?
The Void isn't a perfect movie. It's limited budget shows in the lackluster script, and it borrows more than liberally from a handful of classic movies to deliver its punch, but its a visually impressive flick that boasts some great atmosphere and a cool premise that we got sucked right into.

This is a solid little Indie flick, and well worth a rental if you dig otherworldly body-horror.

B

The Void is available now on VOD, and is also in limited theaters.

http://amzn.to/2oZquqZ

Kathleen Munroe, Ellen Wong, and Grace Munro make this trip into The Void a prettier one for their presence.

May 28, 2016

VOD Review: Sacrifice (2016)

"As is usually the case, the book was probably better than the movie."

http://www.imdb.com/title/tt2078718/?ref_=nv_sr_1
(aka The Shetland Mysteries.)
Release Date: April 29th.
Country: UK.
Rating: NR.
Written by: Sharon Bolton and Peter A. Dowling.
Directed by: Peter A. Dowling.
Starring: Radha Mitchell, Rupert Graves, Ian McElhinney, and David Robb.

Sacrifice is based on a popular book of the same name by S.A. Bolton, and so we went into it expecting the movie to be something special.

I mean, all of those book readers can't be wrong, right?

Well...

After suffering four miscarriages, Dr. Tora Hamilton and her husband move to a small Shetland Island community, in hopes of adopting a new baby. She's heartbroken over her losses, but her new home is beautiful and full of hope, so things are looking up. *Cue dramatic music.

[COFFEE INTAKE INTENSIFIES]
When a horse drops dead on her property, she decides to grab a backhoe and dig a massive grave for it  (because what Doctor wouldn't do exactly that), which leads her to discover a corpse buried in the soil. The corpse is missing its heart, and is covered in some sort of Satanic symbols, so she's pretty sure that something is amiss.

THAT'S NO HORSE!
When the local Police don't seem to give a shit about her discovery, she sets out to discover the identity of the corpse, and whoever killed her, because again, what Doctor wouldn't do such a thing, especially after moving to a foreign place where everyone looks at her as outsider to begin with? Over the course of her investigation, she discovers a secret society that likes to sacrifice women (to the God of Wheat, or something), and it's not long before she becomes a target herself.

SHE'S ON THE SNEAK.
The location is gorgeous, and it's captured very well on camera; the cast is solid (Radha Mitchell is always a welcomed sight, and it was great to see Ian McElhinney in something other than Game of Thrones); and the ritualistic  murder plot is interesting enough (if over-complicated and silly); but at the point where Radha Mitchell, whose character has just moved to a small Shetland community, finds a body and confronts the local D.I. with the "Are you really going to turn your back on a ritual murder!" dialogue gem, we knew that we were in for a long 90-minutes.

By the time the movie ended, we were convinced that the producers knew that the movie didn't turn out all that great, and that they just pieced together whatever footage they had to try recoup some of the money that they spent on its production. The ending scene is the perfect example of this: ***ENDING SPOILERS*** After all is said and done, two characters are standing there surveying a crime scene, having a discussion about what happened, and one of them says "They were all someone's daughter!" Then, there's a 5-second shot of a car driving away, and the credits roll; credits which oddly only took a minute or so to scroll by. ***END SPOILERS***

This movie was just too busy, didn't focus and build on the interesting parts of the story, and it was plagued by some bad dialogue and ridiculous character motivation.

"KHALEESI!"
A human corpse, a dead horse, and some knife violence. It's all pretty tame though.

[SEARCHING INTENSIFIES]
Nope.

SHE WAS A QT THOUGH.
Sacrifice plays and feels like a movie of the week that you would have found on one of the Big 4 Networks back in the 70's & 80's; it looks great, and has a solid cast, but the plot is safe and familiar, you can see its twists and turns coming well before they occur, and it doesn't pack much of a punch at all.

Catch this one for free on Netflix or Cable (when it gets there), if you really feel compelled to see it.

D+

Sacrifice is on VOD now.

http://amzn.to/1TM4B4i

Radha Mitchell has been one of our faves since Pitch Black.

February 5, 2016

Theatrical Review: Regression (2016)

"Emma Watson needs to start doing nude scenes. It's just time."

http://www.imdb.com/title/tt3319920/
When I was a kid in the 80's, people somehow got it in their minds that Satanic Cults were everywhere across the U.S., and that they were abducting, molesting, or murdering children during their dark rituals.

I actually remember seeing so much of it on the news, talks shows, and magazine shows like 60 Minutes, that I actually became paranoid about it for a while. If I was crossing an empty parking lot at dusk, and a creepy van drove by, I was sure that it was Satanists coming to get me so that they could sacrifice me to their dark lord.

I was like 10, so don't judge me too harshly on that one.

I'm not sure how it all got started, but I'd guess that it had to do with fundamental Christians deciding that Satan was destroying the fabric of our perfect society by way of Heavy Metal music, Horror films, and Dungeons & Dragons. They worked everyone into such a tizzy about it that there were a crazy amount of sexual abuse allegations leveled against Daycare Centers. Google "The McMartin Preschool Trial" and read what that bullshit did too innocent people.

The point is, that Satanic Panic bullshit was a very real thing in the 80's, and as worked up as everyone got about it, it turned out to little more than a bunch of asshole adults coercing fake memories out of kids with the use of Regression Therapy.

That's kinda what this movie is about.

***This review will contain plot SPOILERS that could potentially ruin the story for you, so proceed with caution***

It's 1990 in Minnesota, and Bruce Kenner (Ethan Hawke) is a hard-nosed detective who plays to win! So when the virginal Angela (Emma Watson) accuses her father of sexually molesting her (which he admits to, even though he can't remember doing it), Kenner is on the case. He turns to a British psychologist to help get to the bottom of everything, with the use of regression therapy... which forces repressed memories stored in the subconscious to come to the forefront. Sounds legit.

"TRY TO REMEMBER ALL OF THE HORRIBLE THINGS THAT HAPPENED TO YOU IN EXACTING DETAIL."
As Kenner and Dr. Brit uncover more of the details of Angela's case, it becomes apparent that a Satanic Cult was involved, which terrifies Angela to death. She claims that she was a part of ritualistic abuse at the hands of the Cult that included the sacrifice of animals and babies, and blood orgies in the name of Satan, and the fact that she's discussing any of it with Kenner makes them both targets for some sort of Satanic death revenge.

"KISS IT. EVERYONE ELSE HAS."
Kenner is initially skeptical of Angela's Satanic claims, but after some mysterious phone calls, some odd people staring at him on the street, and an attack at his home, he ends up becoming a paranoid believer in all things Satanic and evil. Was he molested by a Satanic Cult too? Was he part of a Satanic Sex Cult, but just forgot about it?

Watch and find out!

MAYBE TAKE THE HEADPHONES OFF WHILE YOU'RE SNOOPING AROUND THE LAIR OF A SATANIC CULT!
Regression is more of a Psychological Thriller than it is any kind of Horror flick, although the movie does explore plenty horrifying topics. It's a well-made movie that makes a pretty bold statement about the dangers of psychology, specifically the since-discredited technique of regression therapy, and by the end, it becomes more of a Drama than anything else. A Good Drama, mind you, but a Drama none the less.

There were plenty of eerie moments throughout the film that gave us the willies though, and in that way it felt like a pretty effective "Horror" movie at times.

"SO... DESCRIBE THAT SATANIC ORGY ONE MORE TIME IF YOU DON'T MIND."
As I mentioned above, the whole Satanic Panic thing was very real in the 80's, and it was blown way out of proportion by the media, which ended up working plenty of people into a paranoid frenzy in which many lives were ruined. After a few years, when most of it was revealed to be total bullshit, the regression therapy that was used to uncover much of the supposed ritual abuse at the heart of it all was derided and discredited by medical professionals as being some sort of subliminal coercion.

If nothing else, Regression does a great job of illustrating that point, and giving the whole thing weight.

"AGAIN?"
Ethan Hawke was great in this movie, even though most of the material he was given to play his character delved heavily into stereotypes. Emma Watson was also great playing the innocent victim who may in fact be a manipulative shrew. We'd love to see her play the "Bad Guy" more often.

What Regression doesn't get right, is that it's predictable. It starts out strong, and then fizzles out near the end, not taking many narrative chances along the way. It's a great story that has all of the ingredients for a top-notch Thriller, but it just doesn't do as much with them as it could have. The dialogue could have been better too.

THE FACE OF AN ANGEL?
For all of its faults, Regression was a pretty good movie that managed to keep us interested throughout. If you look at it as a fictional portrayal of some very real things that happened in American history, and don't expect an all-out Horror flick, then you'll probably dig it.

If it happens to be showing at a theater near you, you could do worse than to go check it out.

C+

Regression is in Limited Theaters now. *Only about 100.

Oh, Emma.